Since its very beginning as “Theatre Beyond” in 1991, Theatre Kingston has been known for bringing challenging pieces to local audiences – typically ambitious and risky productions that may not have mainstream appeal, but are meant to enrich as well as entertain their audiences. The current staging of John Logan’s “Red“, playing now in the Baby Grand Studio, is a perfect example of such a project, and is near-perfect in its execution.
“Red” is a vivid look into the life of famed artist Mark Rothko (circa 1958) as he undertakes the painting of a group of murals for The Four Seasons, an exclusive and expensive restaurant. In addition to grappling with his own demons and creative process, he must also contend with a young new assistant, who has his own ideas and aspirations. It is a play which explores the very essence of art: its creators, its creation, and its consumption. “Everyone likes everything nowadays”, laments Rothko in the opening scene. “Everything becomes everything else and it’s all nice and pretty and likeable. Everything is fun in the sun!” This play, however, is not. And as such, the playwright has crafted a brilliant ‘case in point’ – if, that is, all of the elements of the production are able to live up to the lofty expectations established by the script itself. (more…)